Related Works
Oil on canvas paper
16 × 24 inches
This contemporary oil painting reinterprets Utagawa Kuniyoshi’s celebrated Ukiyo-e print Takiyasha the Witch and the Skeleton Spectre through expressive brushwork and atmospheric realism. Drawing from Japanese printmaking traditions and contemporary painting practices, Farron Khan explores themes of mythology, mortality, and the supernatural while paying homage to the dramatic composition and storytelling of the original work. The painting emphasizes tension, scale, and theatrical atmosphere, using layered color and painterly texture to reinterpret the historical image through a contemporary lens. By combining historical influence with modern techniques, the work creates a dialogue between traditional Japanese visual culture and contemporary figurative painting.
Oil on Canvas, (2026)
30 ×30 inches
Passages is a contemporary Cubist oil painting exploring movement, transition, and psychological navigation through fragmented architectural forms and shifting spatial environments. Inspired by experiences of travel, uncertainty, and unfamiliar spaces, Farron Khan uses layered perspectives and fractured geometry to reflect the emotional complexity of moving between places, memories, and states of mind. The composition blurs distinctions between physical structure and internal experience, creating an environment that feels simultaneously constructed and unstable. Through its fragmented visual language, the work examines themes of direction, disorientation, and the search for meaning within transitional moments.
Oil on wood panel,
16 × 20 inches,
2025
The Gathering is a contemporary abstract figurative oil painting exploring collective identity, connection, and individuality through elongated symbolic forms and Cubist-inspired fragmentation. Arranged within a surreal atmospheric landscape, the separate figures gradually merge into a larger implied face, suggesting the ways personal histories and identities become intertwined over time. Through layered symbolism, shifting spatial relationships, and organic abstraction, Farron Khan reflects on themes of community, resilience, memory, and the tension between individuality and collective experience. The composition invites viewers to move between reading the figures as distinct individuals and as components of a unified whole.
Currently available exclusively at Uncanny Valley Art Gallery.